Iuppiter originated as a vocative compound of the Old Latin vocative *Iou and pater ("father") and came to replace the Old Latin nominative case *Ious. Jove is a less common English formation based on Iov-, the stem of oblique cases of the Latin name. Linguistic studies identify the form *Iou-pater as deriving from the Indo-European vocative compound *Dyēu-pəter (nominative: *Dyēus-pətēr meaning "O Father Sky-god").
Older forms of the deity's name in Rome were Djeus-pater (“day/sky-father”), then Diéspiter. Djeus is the etymological equivalent of ancient Greece's Zeus and of the Teutonics' Ziu, gen. Ziewes. The Indo-European deity is thus the god from which Zeus and the Indo-Aryan Vedic Dyaus Pita are derived.
The name of the god was also adopted as the name of the planet Jupiter, and was the original namesake of Latin forms of the weekday now known in English as Thursday but originally called Iovis Dies in Latin, giving rise to Deus in Portuguese, jeudi in French, jueves in Spanish, joi in Romanian, giovedì in Italian, dijous in Catalan, Xoves in Galego, Joibe in Furlan
Main article: Temple of Jupiter (Capitoline Hill)The largest temple in Rome was that of Jupiter Optimus Maximus on the Capitoline Hill. Here, Romans worshipped him alongside Juno and Minerva, forming the Capitoline Triad. Jupiter was also worshipped at Capitoline Hill in the form of a stone, known as Iuppiter Lapis or the Jupiter Stone, which was sworn upon as an oath stone. Temples to Jupiter Optimus Maximus or the Capitoline Triad as a whole were commonly built by the Romans at the center of new cities in their colonies.
The building was begun by Tarquinius Priscus and completed by the last king of Rome, Tarquinius Superbus, although it was inaugurated, by a tradition recorded by the historians, on September 13, at the beginning of the Republican era, 509BCE.
The temple building stood on a high podium with an entrance staircase to the front. On three of its sides it was probably surrounded by a colonnade, with another two rows of pillars drawn up in line with those on the façade of the deep pronaos which precedes the three cellae, ranged side by side in the Etruscan manner, the central one being wider than the other two.
The surviving remains of the foundations and of the podium, most of which lie underneath Palazzo Caffarelli, are made up of enormous parallel sections of walling made in blocks of grey tufa-quadriga stone (cappellaccio) and bear witness to the sheer size of the surface area of the temple's base (about 55 x 60 m).
On the roof was a terracotta quadriga, a chariot drawn by four horses, with God Jupiter himself as the charioteer, made by the Etruscan artist Vulca of Veii in the 6th Century BCE and commissioned by Tarquinius Superbus; it was replaced by a bronze one in 296BCE. The cult image was also by Vulca and of the same terracotta material; its face was painted red on festival days (Ovid, Fasti, 1.201f). Beneath the cella were the favissae, or underground passages, in which were stored the old statues that had fallen from the roof, and various dedicatory gifts.
The temple was rebuilt in marble after fires had worked total destruction in 83BCE, when the cult image was lost, and the Sibylline Books kept in a stone chest. Fires followed in 69CE, when the Capitol was stormed by the supporters of Vitellius and in 80CE.
In front of the steps was the altar of Jupiter (ara Iovis). The large square in front of the temple (the Area Capitolina) featured a number of temples dedicated to minor divinities, in addition to other religious buildings, statues and trophies.
Iuppiter Tonans, possibly reflecting the cult image of the temple of Jupiter Tonans (Prado)Juppiter Tonans ("Thundering Jove") was the aspect (numen) of Jupiter venerated in the Temple of Juppiter Tonans, which was vowed in 26BCE by Augustus and dedicated in 22 on the Capitoline Hill; the Emperor had narrowly escaped being struck by lightning during the campaign in Cantabria. An old temple in the Campus Martius had long been dedicated to Juppiter Fulgens. The original cult image installed in the sanctuary by its founder was by Leochares, a Greek sculptor of the 4th Century BCE. The sculpture at the Prado (illustration) is considered to be a late first century replacement commissioed by Domitian. The Baroque-era restoration of the armsIn language
It was once believed that the Roman god Jupiter (Zeus in Greece) was in charge of cosmic Justice, and in ancient Rome, in their courts of law people swore by Jove to witness the oath, which lead to the common expression "By Jove!", still used as an archaism today. In addition, "jovial" is a somewhat common adjective, originally used to describe people born under the lucky planet of Jupiter, which was believed to make them jolly, optimistic, and buoyant in temperament gives Jupiter a baton-like scepter in his raised hand. .